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Sunday, November 17, 2013

Body Language art exhibition opens in London

Makiko Kudo, Floating Island, 2012

SAATCHI GALLERY: BODY LANGUAGE
20 November 2013 – 16 March 2014
www.saatchigallery.com   

London UK – On 20th November, the Saatchi Gallery will open Body Language, an exhibition featuring 19 emerging international artists who, across a range of media, explore the physical body and present a variety of reflections on the human form.
                                              


Jannson Stegner, Sarabande 2006

Jannson Stegner adopts tropes of Romanticism to portray contemporary longing. His female police officers crouch or lie on rocks and against tree stumps, with batons in their hands substituted for parasols, they trade their usual authoritative gaze for erotic innocence.



Kasper Kovitz, Carnalitos (Unamuno), 2010

Gnawed from Iberian ham, Kasper Kovitz portrays Sabino Arana and Miguel de Unamuno, prominent figures in the history of the Basque struggle for independence from Spain. The historical sobriety is belied by the cartoonish imprecision of the faces, while the meat’s impermanence positions them as anti-monuments.

Dana Schutz, Reformers, 2004

Dana Schutz’s paintings oscillate between form and chaos, and commonplace plots and horrific hypotheticals which question the process of visual storytelling. With a multitude of characters, props and activity, her narratives fail to fully cohere, or provide closure. In Reformers her worried characters seem caught-in-the act as they frantically construct a figure on the table.




Denis Tarasov, Untitled (from the Essence series), 2013


Denis Tarasov photographs Russian and Ukrainian mobster tombstones, relics of the 1990s Mafia Wars, which intricately depict the deceased the way they wish to be remembered.



Makiko Kudo, Floating Island, 2012



Makiko Kudo’s melancholic characters escape the woes of twentieth century Japan and float, hover, fall and tumble through fictive worlds reminiscent of Manga comics, and which reference Monet’s Water Lillies and Matisse’s Fauvist work. The cartoonish figure lying across a swan in Floating Island might become the artist’s avatar inhabiting a painterly world much like a character in a computer game.




Over the last fifty years or so, work depicting the body, such as paintings by British artists Francis Bacon and Lucian Freud, was at odds with the prevailing currents of abstraction, Pop and conceptualism. Yet the figure has retained its currency, and the artists in Body Language each provide compelling evidence of the figure’s continued ability to articulate something both historically specific and curiously essential.

From the grotesque and uncanny to the poignant and satirical, the works in this exhibition examine, in arresting and innovative ways, the diverse social and political issues that can be communicated through the human body.

Body Language demonstrates that the human body remains visual art’s best metaphor for how it feels to be alive. Body Language features works by Tanyth Berkeley, Amy Bessone, Michael Cline, Nicole Eisenman, Chantal Joffe, Kasper Kovitz, Makiko Kudo, Nathan Mabry, Eddie Martinez, Justin Matherly, Dana Schutz, Jansson Stegner, Henry Taylor, Denis Tarasov, Alexander Tinei, Francis Upritchard, Andra Ursuta, Helen Verhoeven, Marianne Vitale.



The Saatchi Gallery
Duke Of York's HQ
King's Road
London SW3 4RY

www.saatchigallery.com


In partnership with:

Gallery Patrons

BNP Paribas

CHANEL

Prudential

Standard Chartered

Tsukanov Family Foundation

Education Patrons

Deutsche Bank

Google

Hermès

Lille 3000

Magic of Persia

Pemberton Greenish

Winsor & Newton


 Media Partner

The Sunday Times

Special Projects Partner

HUGO BOSS

Founding Partner

Dinesen
Corporate Patrons

Allford Hall Monaghan Morris

ARUP

Asahi

ClearChannel

Champagne Pommery

ERCO

Goedhuis & Co

Hyatt Regency London – The Churchill

Martinspeed

Parallel Contemporary Art

Pernod Ricard UK

Xirrus

Corporate Member

CraneTV

Doublet

Dovetail

Hallett Independent

Robert Walters

Benefactors

Gillian & Stuart Corbyn

Patricia & Jon Moynihan

Source: Saatchi Gallery  


Wednesday, November 6, 2013

Jamie's Italian opens in Canberra

Jamie's Italian has opened in Canberra this week, Australia's third in the roll-out of Jamie's Italian restaurants in countries currently including Turkey, Russia, Ireland, Singapore and Dubai as well as the UK.


Jamie's Italian Canberra. Photo:Ken Martin



On Bunda Street beneath the Canberra Centre, Jamie's Italian is a sizeable space filled with beckoning banquettes, pink chairs and wood finishes beneath a giant central chandelier.  It's dark when we arrive and the tones are warm and welcoming, the buzz palpable. Sitting inside you can talk even with the music playing while the outdoor dining area offers a great space to sit and watch the world go by. There are staff aplenty and dishes including the signature 'planks'  being delivered to tables of customers out to experience the Jamie factor.


Jamie's Italian Canberra. Photo: Ken Martin.


The all day/night menu (11.30am-11.30pm) aims to please anyone anytime, including kids, with dishes that are high on flavour and carefully sourced, quality local produce. Often deceptively simple – a beautifully balanced dish of baked sustainable cod ($28.50) with spring vegetable stew, pancetta,  Roman fried artichokes, crostini and lemony yoghurt dressing is an example – there's nothing ordinary about the Jamie's menu. It's a world of sparkling flavours and mix of textures with a wide range of dishes to keep you coming back for more.


Jamie's Italian
125 Bunda Street
Civic, ACT 2600

(Canberra Centre, under the Dendy Cinema)
http://www.jamieoliver.com/italian/australia/canberra







Saturday, August 31, 2013

Exhibitions at AGNSW: Art for a new world

To see at the Art Gallery of New South Wales:http://www.artgallery.nsw.gov.au
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Sydney moderns, art for a new world

Roy de Maistre Rythmic composition in yellow green minor

Over 180 works by Australia’s most iconic artists, exploring the making of a modern city.

From humble beginnings to a thriving metropolis, Sydney in the 1920s and 30s was in the midst of great change. By the early 20s its population had grown to one million and its urban environment was being transformed by exciting new structures, including the Sydney Harbour Bridge.Like the changing city, artists in Sydney were forging new paths. As the city grew in confidence as a modern destination, so too did adventurous artists keen to explore innovative ways of using colour, light and abstraction in their interpretation of the new world around them.


http://www.artgallery.nsw.gov.au


Tuesday, August 13, 2013

Great Days Out on the A49 – Stokesay Castle, Ludlow Food Centre, Church Stretton, Long Mynd


Stokesay Castle ©AP

Loving Stokesay Castle, near Craven Arms on the A49, in Shropshire, one of my favourite counties. Stokesay is a wonderfully preserved fortified manor near the Welsh border with a delightful timber-framed gatehouse .... beautiful. Adults £6.20,open 10-5pm daily until 3 November 2013, then weekends,10-4pm except Christmas and New Year. http://www.english-heritage.org.uk/daysout/properties/stokesay-castle
Stokesay Castle Gatehouse ©AP



Stokesay Castle is near the luscious Ludlow Food Centre which now has a separate cafe and plant centre. Find it on the A49 between Hereford and Shrewsbury in the village of Bromfield. www.ludlowfoodcentre.co.uk


But that's not all..The lovely town of Church Stretton is 8.2 miles from Craven Arms on the A49, a gateway to the Long Mynd meaning "Long Mountain" or Mynydd Hir in Welsh. The Long Mynd is a heathland plateau between the Stiperstones range, the Stretton Hills and Wenlock Edge and has steep valleys and escarpments. Drove up the very narrow road (single track with passing places, probably not for the faint-hearted), for the reward of heather in bloom and wonderful views.

The Long Mynd above Church Stretton. ©AP

The Long Mynd. ©AP